TAILIEUCHUNG - Where Does Computational Media Aesthetics Fit?

Yet there is a check on the extent of this error, because the coping myth must minimally reflect something of the struggle to live on from generation to generation; it must give its holders some sense of adapted fit on landscapes. They cannot be altogether blind to what is going on, indeed, the more they know about this, the better they survive. Such coping in humans has aesthetic as well as cognitive components. Metaphysical fancy has to be checked by a pragmatic functioning, and this includes an operational aesthetic with some successful reference to what is there at one's location | Survey Where Does Computational Media Aesthetics Fit Brett Adams Curtin University of Technology Australia The huge volume of multimedia data now available calls for effective management solutions. Computational Media Aesthetics CMA one response to this data-management problem attempts to handle multimedia data using domain-driven inferences. To provide a context for CMA this article reviews multimedia content management research. The Multimedia Content Description Interface MPEG-7 is the Moving Picture Experts Group s ISO standard for describing multimedia content. It provides a rich set of standardized tools for describing multimedia content. The standard s overview contains the rather nostalgic lament Accessing audio and video used to be a simple matter simple because of the simplicity of the access mechanisms and because of the poverty of the sources. This is clearly no longer the case. Although none of the media in multimedia are new the sheer volume in which they re stored transmitted and processed is and directly results from the prevailing winds of Moore s law that continue to deny the doomsayers and power a relentless improvement of relevant technologies. The tidal wave of unmanaged and unmanageable data that has developed over the last decade and is outstripping our ability to ultimately use it has motivated the growing drive for management solutions. A book without a contents page or index is an annoyance a data warehouse with terabytes of video is nearly useless without a means of searching browsing and indexing the data. In short such content is wasted without suitable content management. Computational media aesthetics CMA is one response to the problem posed by multimedia content management MCM .1 CMA focuses on domain distinctives the elements of a given domain that shape its borders and define its essence in film for example shot scene setting composition or protagonist particularly the expressive techniques used by a domain s content creators. This

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