TAILIEUCHUNG - Color mixing the van wyk way - Phần 10

Tham khảo tài liệu 'color mixing the van wyk way - phần 10', văn hoá - nghệ thuật, điêu khắc - hội họa phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả | Building Color With Brushwork Application of color mixtures has a strong bearing on the way color mixtures look. Brushwork can make color mixtures look exciting and vibrant and unfortunately sometimes make color look dead. There is a basic reliable type of brushwork that gives your color mixtures an advantage. It is that of applying colors in opposing stroke directions instead of applying colors in all the same direction of strokes. The opposing strokes of color can be set down next to each other or on top of each other. They can also be used to blend in areas of color. A combination of opposite brushstrokes instills some identity and character into the paint. Painting an area of color with opposing strokes excites the color. Blending color areas by using opposing strokes fuses the color leaving slight variations of the color s intensity which seems to impart a more vibrant color presentation than an area that has been completely blended in. You have learned that balance is as important in painting as it is in nature and how opposites can strike that balance as in Colors and their complements are opposite Warm and cool colors are opposites Light and dark arc opposites Bright and dull are opposites Now I ve introduced another balance that of brushwork. Opposing strokes respect the dictates of nature s balance. Doing so serves a more practical less erudite purpose. It helps to fashion dimension One direction of application one dimension two directions of application two dimensions. Use contrasting tone and the feeling of the third dimensional effect is yours. CHAPTER 24 BUILDING COLOR WITH BRUSHWORK 113 Strokes of Color Next to Each Other COLOR MIXING THE VAN WYK WAY 114 Try to think of your canvas as a surface that is going to support the paint you will use to record your subjects rather than a surface to be covered with your paint. Doing so will make your brush begin to excite your paint with dimension. Here in a diagram of the brushwork I used to paint an ocean .

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