TAILIEUCHUNG - Writing the short film 3th - Part 32

Writing the short film 3th - Part 32. Cuốn sách này chủ yếu giúp tham khảo về phương pháp viết kịch bản, phim ảnh, video và các nhà làm phim video - những người đang phải đối mặt với sự cần thiết của việc viết một kịch bản tường thuật ngắn sao cho hay, mạch lạc, nội dung phim được truyền tải hết đến người xem. | The Experimental Narrative 207 energy it injects into the story. The consequence of the latter point is that experimental narrative works best for those who are innovative with their stories. Borrowed styles are obvious and because the narrative content is often modest the borrowed style fails to capture the audience it seeks. The consequence is that the shelf life of an experimental narrative filmmaker tends to be short. There are exceptions Bunuel Tarkovsky but they are few. When Richard Lester made A Hard Day s Night in 1965 he was looking for a style that would capture the energy and anarchy of the Beatles. He knew their strength was their music and their individualism so he sought out a style that would capture those qualities. In essentially the first MTV-style major film Lester created a series of set pieces in A Hard Day s Night unified by the song of the same title. Within that unity he would go anywhere show anything shifting tone or point of view. The key was to recreate the energy of the Beatles. He used multiple cameras a series of running gags and an absurdist attitude and the rest is history. The MTV style in Oliver Stone s Natural Born Killers is a direct descendant of Lester s film however it broadens the stylistic palate to include variances in the style of the set pieces and the pace now 30 years later has picked up considerably. The style in Atom Egoyan s Exotica 1994 is probing. The story set principally in a sex bar named Exotica follows multiple characters. All are wounded all are sexually confused. Egoyan uses a restless style probing for understanding finding primarily the characters obsessions delusions and smoke screens. It s as if he is looking for an opening but the characters avoid it. It is only at the end that he and we find that opening until then it is the probing eroticized style that maintains the energy in the story. The style may focus on stills as in Chris Marker s short film La Jetée it may focus on long takes as in Miklos .

• Sân khấu điện ảnh
• Cách viết phim ngắn
• kỹ thuật viết kịch bản
• kịch bản phim
• phim tài liệu
• video
• viết kịch bản hay
• kịch bản phim ngắn
• hướng dẫn viết kịch bản
• cách viết kịch bản
• kịch bản hay
• kịch bản phim truyện