TAILIEUCHUNG - SPACE, TIME, FRAME, CINEMA EXPLORING THE POSSIBILITIES OF SPATIOTEMPORAL EFFECTS

Movies have always had a powerful influence on people’s behavior, from how they talk to how they dress. Tobacco marketers took advantage of this power to popularize cigarettes over cigars and to make smoking by women socially acceptable. The number of women stars posing with cigarettes in the 1930s and 1940s may have been no accident. And paying stars to endorse cigarette brands in print and billboard advertising was certainly business as usual, until smoking’s link to lung cancer shattered tobacco’s glamorous image in the early 1960s | Space Time Frame Cinema Exploring the Possibilities of Spatiotemporal Effects Mark J. P. Wolf Along with the growth of digital special effects technology there seems to be a renewed interest in physical camerawork and the way in which physical cameras can be extended by and combined with virtual cameras. Without a systematized method of study however many possibilities may remain overlooked. This essay attempts to suggest such a method and its scope will be limited to the spatial and temporal movements of the camera. Without a deliberate method the discovery of new effects is somewhat haphazard and may take much longer than it would otherwise. Consider for example Edweard Muybridge s experiments in sequential photography. In 1877 for his famous attempt to record the movements of a galloping horse he lined up a row of still cameras attached to tripwires designed to activate them. But supposing Muybridge had set the camera in a semicircle with all the tripwires connected and activated at the same time see Fig. 1 Fig. 1. A Muybridge set-up in which a linear camera array follows a moving subject versus a Frozen time set-up in which a circular camera array tracks around frozen action . In doing so the tripwires would have activated all the cameras simultaneously and since they would all be aimed at the same point all the photographs would have shown the horse at the same instant albeit from a series of different angles. Had these images been projected in sequence Muybridge would have discovered the frozen time effect or temps mort as it is known in France more than a century earlier than it was. Muybridge actually did set his cameras in a semicircle for certain motion studies but he did not animate them or exploit the possibilities of frozen time 1 Since frozen time effects were possible even in Muybridge s day why did it take over a century for them to be discovered What other potential effects are still out there in the realm of possibility waiting to be .

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