TAILIEUCHUNG - DESIGN AND CONSTRUCTION IN ROMANESQUE

I would like to confess that at eighteen I suddenly fell in love with Romanesque architecture, and the passion has stayed with me forever. Unfortunately, while the last part of this statement may be true, the first part, however romantic, is fundamentally distorted. The under- graduate art-history teachers at Columbia University initiated and nourished my interest in Romanesque architecture, and thoroughly shaped my approach to it. I must begin a book on this subject by thank- ing them. | DESIGN AND CONSTRUCTION IN ROMAN E soy E ARCHITECTURE Fira Anharatfrr and rAw AunlrJArcA in F r undy and NcrứỀtm ttafy 1 c. EDSON ARMI CAMNUlOt Cambridge 9780521830331 DESIGN AND CONSTRUCTION IN ROMANESQUE ARCHITECTURE In this study C. Edson Armi offers a fresh interpretation of Romanesque architecture. Armi focuses on buildings in southern France northern Italy Catalonia and Switzerland the regions where Romanesque architecture first appeared around . 1000. He integrates the study of medieval structure with an understanding of construction decoration and articulation in an effort to determine the origins and originality of medieval architecture and the formation of the High Romanesque style especially in Burgundy at sites such as Cluny III. Relying on a close analysis of the fabric of key buildings Armi s in-depth study reveals new knowledge about design decisions in the early Middle Ages. It also demonstrates that the mature Romanesque of the twelfth century continues many of the applications created and perfected over the previous one hundred years. C. Edson Armi is a professor at the Department of History of Art and Architecture at the University of California Santa Barbara. A scholar of medieval art and architecture he is the author of the prizewinning Masons and Sculptors in Romanesque Burgundy and The Headmaster of Chartres and the Origins of Gothic .

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