TAILIEUCHUNG - Sonic Art & Sound Design- P3

Sonic Art & Sound Design- P3:Sonic art is a new art form, or rather, forms. As we shall see, it can encompass a wide range of activities, perhaps wider than almost any other art form. It is an unusual case, based upon a medium that has traditionally been regarded as inferior and subservient to other creative or expressive forms. | THE FUNDAMENTALS OF SONIC ART SOUND DESIGN THERE IS NO SUCH THING AS AN EMPTY SPACE OR AN EMPTY TIME. THERE IS ALWAYS SOMETHING TO SEE SOMETHING TO HEAR. IN FACT TRY AS WE MAY TO MAKE A SILENCE WE CANNOT. JOHN CAGE SILENCE INTRODUCTION What forms can sonic art take When we encounter a piece of sonic art we may find ourselves in front of one of many types of work. Some will be highly interactive and possibly extremely technology-intensive whereas others will be relatively simple and in a very broad sense static. However physically static it may be sound art cannot by its very nature be passive with rare exceptions it must actively emit sound or at least have sound which is itself active by definition as its conceptual basis. Its active emission of sound can as we shall see later create problems in the presentation of the work but it remains an inescapable aspect of the medium and this distinguishes it in some measure from more traditional art forms. So does it follow that any artwork that has sound as its main outcome will by definition be a work of sound art There are many possible ways in which we can examine this problem and they lead to a variety of conclusions. My personal preference is to take the view that we should define the work by its intentions and by the conceptual thinking that informs a work that seeks to communicate with its audience through sound or be informed by ideas that are based upon sound would be a work of sonic art by contrast a work that happens to make sounds as a by-product of another activity as many kinetic works do or that has no conceptual reference to sound would not. This is of course a very simple definition and has many potential flaws but will hopefully provide us with a useful starting point from which to consider the context in which the presentation of our work takes place. Most importantly it begins the process of understanding the way in which an audience will experience and comprehend a type of work that may be in

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