TAILIEUCHUNG - Writing the short film 3th - Part 45

Writing the short film 3th - Part 45. Cuốn sách này chủ yếu giúp tham khảo về phương pháp viết kịch bản, phim ảnh, video và các nhà làm phim video - những người đang phải đối mặt với sự cần thiết của việc viết một kịch bản tường thuật ngắn sao cho hay, mạch lạc, nội dung phim được truyền tải hết đến người xem. | 298 Writing the Short Film venirs from cheesy midwestern and southern towns and a small old radio. Maybe a couple of yellowing photos lying around. Before the man appears the light should be very rich in golds and orange overtones. The pacing is slow and the film should have a lush almost smoky look. After the man appears the lighting will be mostly for a night scene. The tones will be deep blues and reds. All the time though I want the girls white nightgowns to have a milky luminous quality. Other than parts of the performances nothing about this film should be very naturalistic. SLEEPING BEAUTIES FADE UP sound of a MOTORCYCLE starting and revving. FADE DOWN. FADE UP on TITLES. FADE to black. FADE UP overlapping voices of TWO TEENAGE GIRLS. One cries out. VOICE Ouch that hurts Cut to interior BEDROOM night. IRIS sixteen years old is standing and brushing LUCY s hair. LUCY is seated in front of her. They speak to the reflection in the MIRROR in front of them. IRIS hits the tangles in LUCY s hair. LUCY fifteen years old winces. IRIS I m sorry I m sorry . it would help if you conditioned it. LUCY But it makes it look greasy. IRIS Not if you use the right kind. LUCY I kinda like it this way. IRIS I guess you always had the prettiest hair. Short Screenplays 299 IRIS finishes the last strokes and slightly pats LUCY s long hair. Okay all done. LUCY Tomorrow I ll do yours. IRIS Okay. LUCY rises from the VANITY TABLE and both girls remove their thin SUMMER ROBES. Underneath they are wearing long lightly flowered cotton NIGHTGOWNS. IRIS jumps onto her BED. Meanwhile LUCY positions a FAN toward the window and turns it to the high setting. IRIS reaches for the small drawer beneath the NIGHT TABLE fishing around and then pulling out a pack of CIGARETTES and a small ASHTRAY. LUCY arranges herself cross-legged on the opposite BED and faces IRIS. They are silent for a while looking at each other. IRIS gets up and begins to pace. She lights a cigarette as if she s fatigued by the

• Sân khấu điện ảnh
• Cách viết phim ngắn
• kỹ thuật viết kịch bản
• kịch bản phim
• phim tài liệu
• video
• viết kịch bản hay
• kịch bản phim ngắn
• hướng dẫn viết kịch bản
• cách viết kịch bản
• kịch bản hay
• kịch bản phim truyện