TAILIEUCHUNG - Lecture Jazz (Tenth edition) - Chapter 4: Piano styles: Ragtime to boogie-woogie

Chapter 4 - Piano styles: Ragtime to boogie-woogie. This chapter presents the following content: The birth of ragtime, ragtime and dixieland merge, ragtime lives on, stride piano, boogie-woogie, origin, later developments. | Jazz Tenth Edition Chapter 4 PowerPoint by Sharon Ann Toman, 2004 The Birth of Ragtime Ragtime is said to have originated in Sedalia, Missouri Ragtime is considered to be outside the jazz tradition because it is composed before it is performed Ragtime is a solo style of playing the piano Chapter 4 - Piano Styles: Ragtime to Boogie-Woogie The Birth of Ragtime Ragtime is not improvised but has an “improvisatory feel” Ragtime: displayed a definite separation of the hands at the piano Left hand played both bass and chords Right hand the melodic parts Use of syncopation Chapter 4 - Piano Styles: Ragtime to Boogie-Woogie The Birth of Ragtime The general public first became aware of ragtime during a series of world’s fairs held in Chicago, Omaha, Buffalo and other cities Ragtime flourished for over twenty years Ragtime players were both black and white Chapter 4 - Piano Styles: Ragtime to Boogie-Woogie Scott Joplin (1868-1917) Most prolific composer of ragtime music Known as .

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• Lecture Jazz
• Jazz listening
• Profiles in Jazz
• Piano styles
• Dixieland merge
• Stride piano
• Listening to Jazz
• Understanding Jazz
• Sounds associated with jazz
• Rhythm syncopation
• Jazz heritages
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