TAILIEUCHUNG - Lecture Jazz (Tenth edition) - Chapter 11: Hard bop, funky, gospel jazz
Lecture Jazz (Tenth edition) - Chapter 11: Hard bop, funky, gospel jazz. Hard bop, funky, and gospel jazz shifted jazz to an active, engaging style that was full of vitality and accessible to a wider audience. After completing this unit, you should be able to understand hard bop, funky, gospel jazz. | Jazz Tenth Edition Chapter 11 PowerPoint by Sharon Ann Toman, 2004 Hard Bop, Funky, Gospel Jazz Hard (more driving) Bop (return to the elements of the bop style) Funky (rollicking, rhythmic feeling) Gospel Jazz (funky + elements of early Gospel music) Chapter 11 - Hard Bop, Funky, Gospel Jazz Hard Bop, Funky, Gospel Jazz The Hard Bop style was more improvisational and emotionally based The Funky Hard Bop era was a return to the Bop style (vitality) The term funky was often used interchangeably with soul during this period Chapter 11 - Hard Bop, Funky, Gospel Jazz Hard Bop, Funky, Gospel Jazz The term soul was connected to church and speaks of the emotional content of the music The term funky had a more earthy association Chapter 11 - Hard Bop, Funky, Gospel Jazz Hard Bop, Funky, Gospel Jazz Funky music borrows musical characteristics from African American church music Used scales that were used in early blues (blue notes) Result is a gospel blues sound Highly rhythmical .
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