TAILIEUCHUNG - STAGE TRICKS AND HOLLYWOOD EXERCIES

If some forms of independent production have worked closely in unison with Hollywood, others have operated in areas in which Hollywood has chosen not to tread, sometimes teaching valuable lessons to the dominant institution. Necessity has often driven independent operators to be the pioneers of American cinema, exploring new avenues in their search for territories not already colonized by the major studios. The early independents took cinema to parts of rural America, including the gold camps of Alaska, that were not served by the big companies. Technological innovations have also come from independent sources in some cases: the development of. | Stage Tricks and Hollywood Exercises HOW TO DEVELOP SKILL IN SUPPLENESS AND ACROBATICS by NELSON HALL . . Illustrated by the Author Exposition Press A Banner Book New York Exposition Press Inc. 386 Fourth Avenue New York 16 . FIRST EDITION 1957 by Nelson Hall. All rights reserved including the right of reproduction in whole or in part in any form. Manufactured in the United States of America. Library of Congress catalogcard number .57-7655. THI LIBRARY THE ƯHimSITY OF TEXAS To the art of contortion and to aspiring people of all ages 1124 70 Preface When the author first became interested in acrobatics he searched libraries publishing-house lists physical-culture magazines and athletic-supply houses ior a treatise on contortion without finding anything very instructive. They all had excellent books on the use of apparatus calisthenics games tumbling boxing wrestling and other sports but practically nothing on contortion. Whether this lack is due to the meager knowledge writers have on the subject or the biased opinion they have of the profession is a question. Probably some of both for contortionists have created more or less mystery about themselves and their profession and for ages information has been passed from mouth to ear and little or nothing has appeared in print. However artists and sculptor appreciating beautiful figures and graceful carriages have sought athletes as models from the days of old Egypt down to the present đay. As performers will attest there is always much general public interest in contortion. The questions and comments one gets after every performance are very amusing. The audience offers suggestions for mystifying the bystanders and creating the impression that a contortionist is one of the favored few. Usually one is asked Were you bom that way Are you double-jointed all over What do you eat What do you use for a rub if the performer cares to jolly them he can tell them some of the following. He was born on Friday the .

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