TAILIEUCHUNG - The Aesthetic of decay: Space, time, and perception

The Twin furniture series was specially designed for Pier A by furniture designers Rud Thygesen and Johnny Sørensen, and produced by Magnus Olesen A/S. The Twin chair is part of a range of furniture that won the Design Award from the Association of Danish Furniture Designers and Interior Decorators in 1995. The chair was custom-designed to be suitable for the elderly as well as the disabled and to require a minimum of maintenance. The clear blue colours form a fine contrast to the typically colour- less, simplistic architecture of the airport and its predominance of glass and aluminium | the aesthetic of decay space time and perception Zach Fein The Aesthetic of Decay Space Time and Perception A thesis submitted to the University of Cincinnati Division of Research and Advanced Studies For partial fulfillment for a Master of Architecture In the School of Architecture and Interior Design Of the College of Design Architecture Art and Planning 2010-2011 Zachery E. Fein Bachelor of Science in Architecture University of Cincinnati 2009 Michael Mclnturf Associate Professor of Architecture Aarati Kanekar Associate Professor of Architecture Vincent Sansalone Assistant Professor of Architecture Copyright Zach Fein 2011. All rights reserved. ABSTRACT There is a specific aesthetic that exists amongst architecture in the absence of routine human interaction it is the aesthetic of decay. This aesthetic develops over time as buildings cease to function in the way they were originally designed to do so. As this happens such buildings become leftover forgotten spaces that go unseen by the bulk of society they are left to minor often illicit alternate uses. This makes the task of explaining the aesthetic rather difficult and extra attention must be paid to the methodology that best accomplishes that task photography. Photographs tell the tale of what these spaces are in the clearest and most straightforward way. An exploration through photography coupled with a secondary level of exploration into how the space came to be is capable of informing a reactionary exploration into what the space can become. The goal of such an exploration is to not only understand this but also to exploit the individual elements of it in order to inform an architectural approach. The aesthetic of decay has developed over time and alternative uses should do the same minor issues have drastically affected the decay of the building and minor interventions will likewise affect the function of the space. Zach Fein - The Aesthetic of Decay .

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