TAILIEUCHUNG - Ceramic Figure Sculpture

There is always a danger of taking any image or model too literally [5]. Using images in science or philosophy to illustrate states of affair is generally a two-edged sword because it is essential that the audience knows the limits of a picture and uses it with discrimination and intelligence. With that caution, I believe that art, having shed the requirement to visually represent reality accurately, is uniquely capable of instilling an intuition for the deeper aspects of reality that are hidden to the. | Ceramic Figure Sculpture Art 2704C Section 2313 Instructor Nan Smith Professor UF Ceramics School of Art Art History Fall 2012 Monday and Wednesday periods 5-7 Meeting from 11 45-2 25 in room B-14 Office FAC B - 15 Hours 10 00 am -12 00 pm on Friday and by appointment Office Phone 352. E-mail nan@ Website Course Blog Credit hours - 3 Course Syllabus Acknowledgement By signing this form and continuing participation in this course you acknowledge that you have read and understand these policies. In addition you agree that you have read and understand this syllabus attendance and grading policies and are aware of the Guidelines for use of University Facilities and Grounds for Making and Exhibiting Design A copy of these guidelines is posted in the School of Art Art History Office. Name print Signature Email _ Student Information Phone Number Health Concerns College Year Major Reason for taking this course Favorite artist Prior experiences with ceramics Ceramic Figure Sculpture Art 2704C Instructor Nan Smith Professor UF Ceramics School of Art Art History Fall 2012 Monday and Wednesday periods 5-7 Meeting from 11 45-2 25 in room B-14 Office FAC B - 15 Hours 10 00 am -12 00 pm on Friday and by appointment Office Phone 352. E-mail nan@ Website Course Blog http Credit hours - 3 Syllabus Course Description This course is a perceptually based introduction to figure sculpture using fired clay as the medium. The class will include a study the human body and options for its representation in three dimensions. An orientation to building surfacing and firing ceramics and .

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