TAILIEUCHUNG - The Male Figure in Early Cycladic Sculpture

In almost all the civil engineering programs in the United States, a student would be required to take at least one structural design course. Steel and reinforced concrete design are the two primary courses that are offered by essentially every civil engineering program. Students who take a structural design course have already taken courses in statics, mechanics of materials, and structural analysis. Moreover, the steel design course is usually taken by a student during the third or fourth year of his/her 4-year program of study, and could be the student’s first introduction to a formal design course | The Male Figure in Early Cycladic Sculpture PAT GETZ-PREZIOSI Marble figurative sculpture dominated by the female form constitutes the most striking class of objects made during the Early Bronze Age in the Cyclades an archipelago of more than thirty small islands at the center of the Aegean. Although the male figure is exceptional in Cycladic art accounting for only 4 or 5 percent of the sculptures carved in these islands during the third millennium . it occurs in all phases of the Early Cycladic period and in a variety of engaging forms. Two of these rare pieces are in the Metropolitan Museum s Aegean collection Figures 16-19 58 60 . While most of the Cycladic male figures have been previously published they have never been treated more than cursorily as a group. The present article is an attempt to present a general picture of the icono-graphic and relative chronological position of the male image in the development of Cycladic sculpture. Particular attention will be paid to unusually impressive little-known or controversial works. A census of all the male figures including very fragmentary ones known to the writer at this time can be found at the end of the article. Each sculpture is identified in the text and captions by its census number references to the illustration s are cited the first time a piece is mentioned and subsequently only as needed. Before beginning however it may be useful to review briefly those aspects of the typology of Cycladic sculpture that will be relevant to our subject. The terminology used here is basically that suggested by In the first Early Bronze Age phase ECI Grotta-Pelos culture roughly 3200-2800 . two distinct but related sculptural forms were produced. The Schematic type includes thin flat statuettes without head or legs and with a body which is often of violin shape. Despite the frequent absence of clear sexual markings these figures are generally assumed to represent the female form. The Plastiras type named

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