TAILIEUCHUNG - Sculpture in the Expanded Field

“The pictoriality of drawing on sculpture is the same as drawing in painting, with one difference. In the paintings pictoriality can create an inside. In sculpture it always remains on the outside”. There are relatively few instances of drawing or writing in Schnabel’s sculpture, such as the triple helix in 2804, 1983, and the letters written on Freud, 1986. Only when a sculpture is recycled, as in the case of Head on a Ramp, 1983-89, which is the same form as CVJ, 1983, does writing and drawing on the surface become a distinguishing characteristic of the work. Schnabel’s use of patina is also important. In many cases the. | Sculpture in the Expanded Field Rosalind Krauss October Vol. 8. Spring 1979 pp. 30-44. Stable URL htlp sici sici 0162-2870 28197921 298 3C30 3ASITEF 3B2-Y October is currently published by The MIT Press. Your use of the JSTOR archive indicates your acceptance of JSTOR s Terms and Conditions of Use available at http about . JSTOR s Terms and Conditions of Use provides in part that unless you have obtained prior permission you may not download an entire issue of a journal or multiple copies of articles and you may use content in the JSTOR archive only for your personal non-commcrcial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http jounials . Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is an independent not-for-profit organization dedicated to creating and preserving a digital archive of scholarly journals. For more information regarding JSTOR please contact support@. http TueJun 6 12 22 10 2006 Sculpture in the Expanded Field ROSALIND KRAUSS Toward the center of the field there is a slight mound a swelling in the earth which is the only warning given for the presence of the work. Closer to it the large square face of the pit can be seen as can the ends of the ladder that is needed to descend into the excavation. The work itself is thus entirely below grade half atrium half tunnel the boundary between outside and in a delicate structure of wooden posts and beams. The work. Perimeters Pavilions Decoys 1978 by Mary Miss is of course a sculpture or more precisely an earthwork. Over the last ten years rather surprising things have come to be called sculpture narrow corridors with TV monitors at the ends large photographs documenting country hikes mirrors placed at strange angles in .

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