TAILIEUCHUNG - the oxford essensial guide to writing phần 3

Tham khảo tài liệu 'the oxford essensial guide to writing phần 3', ngoại ngữ, ngữ pháp tiếng anh phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả | POINT OF VIEW PERSONA AND TONE 83 but unlike our own in being perfectly or almost perfectly significant and coherent. Maynard Mack While certainly not as colloquial as Ingrid Bengis Mack acknowledges his readers As we know and subtly flatters their intelligence and sophistication. Writers working for the illusion of a talking voice sometimes use italics to suggest the loudness and pitch by which we draw attention to important words. The historian Barbara Tuchman does this effectively in the following passage she is arguing that freedom of speech does not require that we accept any and all pornography The cause of pornography is not the same as the cause of free speech. There is a difference. Ralph Ginsburg is not Theodore Dreiser and this is not the 1920s. Used sparingly in that way italics help to suggest a voice with which readers can connect. But note the caution sparingly. Italics used for emphasis can easily become a mannerism and then an annoyance. Tone Toward Self Toward himself or herself a writer can adopt an equally great variety of tones. Objective impersonal exposition involves a negative presentation of the writer so to speak. By avoiding personal references or idiosyncratic comments he or she becomes a transparency through which we observe facts or ideas. A British writer discussing the Battle of Anzio in Italy during World War II begins like this The full story of Anzio which was originally conceived as a minor landing behind enemy lines but evolved through many ups and downs into a separate Italian front of major importance needs a history to itself. Within the scope of the present work it is possible 84 THE ESSAY only to summarize the main events and their significance in so far as they affected the main front at Cassino. Fred Majdalany On the other hand writers may be more self-conscious and deliberately play a role. In exposition it is often a good tactic to present yourself a bit deferentially as Benjamin Franklin suggests in the passage quoted

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