TAILIEUCHUNG - SANUDO AND THE VENETIAN VILLA SUBURBANA

Following a slight decrease in 2009, average rental rates have increased steadily since 2010 to $986/month on average through the third quarter of 2012. The quoted rental rates used do not take into consideration the value of specials and concessions being offered by many apartment communities even in a tight market. Economic vacancy is reported by AAMD at in the third quarter. The highest economic vacancy posted was nearly 25% between 2003 and 2005 with decreases beginning in 2006. Economic vacancy has remained near the 16% level since last quarter of 2007, finally dropping below 10% in 2012. The median rental rate is reported at. | Patrick Monahan Sanudo and the Venetian villa suburbana The Renaissance villa suburbana On 20 February 1533 Marino Sanudo wrote in his Diarii llA Muran si fa belle feste 1. Sanudo refers here not to the glass making industry that is widely associated with Murano but to the tradition of suburban villeggiatura that took hold on the inner islands of the lagoon from the late-fif-teenth century onward primarily on Murano and the Giudecca2. Though many villas of architectural merit survive the subject has received little attention in modern scholarship. The exception is Richard Goy s Venetian Vernacular Architecture though even this volume as its title suggests treats the buildings as examples of a vernacular tradition on the periphery of the lagoon rather than as Venetian manifestations of the polite and widespread architecture of the villa suburbana. With this aim in mind it is not surprising that the Giudecca a major place of villeg-giatura but a part of Venice proper goes almost unnoticed in Goy s survey. Using Sanudo s diaries as a guide I would like to reclaim aspects of the suburban villa in Venice that have been ignored or undermined until now first by connecting them to better-known examples of villas and villeggiatu-ra and second by highlighting unique aspects of their typology3. The villa suburbana in the Renaissance has a long history of scholarly interest and as a result students of the type have acquired a list of expectations about its form and function. The term conjures images of a familiar group of villas and gardens in central Italy each a subtle engagement with antiquity via literary and archeological sources such as the letters of Pliny and the remains of Hadrian s Villa not to mention a response to a semi-rural setting4. Palladio arguably the greatest designer of villas and someone who perfectly understands the particular tastes of Venice outlines these aspects admirably in his Quattro Libri delrArchitettura when he compares a gentleman s use of his

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