TAILIEUCHUNG - The Oxford Handbook of Cognitive Linguistics Part 109

The Oxford Handbook of Cognitive Linguistics Part 109. In the past decade, Cognitive Linguistics has developed into one of the most dynamic and attractive frameworks within theoretical and descriptive linguistics The Oxford Handbook of Cognitive Linguistics is a major new reference that presents a comprehensive overview of the main theoretical concepts and descriptive/theoretical models of Cognitive Linguistics, and covers its various subfields, theoretical as well as applied. | 1050 GARY B. PALMER Such discourses are culturally specific as are the emotionally evocative and reactive scenarios. In fact in some languages one discusses the evocations and reactions rather than the focal emotional experience Rosaldo 1984 1990 Palmer and Brown 1998 . The importance of emotion scenarios is recognized by both linguistic relativists and universalists. For example Catherine Lutz a relativist said in her study of Ifaluk emotion words that to understand the meaning of an emotion word is to be able to envisage and perhaps to find oneself able to participate in a complicated scene with actors actions interpersonal relationships in a particular state of repair moral points of view facial expressions personal and social goals and sequences of events 1988 10 . Lutz used the terms scene and scenario interchangeably. Wierz-bicka 1994c 1996 183 1999 defines each emotion term by listing a culturally specific set of scripts see also Harkins and Wierzbicka 2001 . Each emotion script is constructed using items from a small set of proposed universal semantic primitives such as bad do feel think want and so on. Kovecses 1988 a universalist proposed that the English model of true love begins with the ideas true love comes along the other attracts me irresistibly and the attraction reaches a limit point on the intensity scale at once . Using the terms scene and scenario interchangeably Kovecses found that emotion metaphors of English are susceptible to analysis in terms of force dynamics. At the heart of the system is a scenario that forms the basis of the most pervasive folk theory of emotion coded into English Kovecses 2000 85 1 cause of emotion force tendency of the cause of emotion 2 self has emotion force tendency of emotion 3 self s force tendency emotion s force tendency 4 resultant effect. Thus we find that several prominent researchers with diverse perspectives on emotion language have found useful the notions of scenario and script. Such scenarios may .

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