TAILIEUCHUNG - Drawing Workshop II- P4

Drawing Workshop II- P4: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | 4 PREPARATION Charcoal and pastels Soft drawing materials such as charcoals and pastels are capable of laying down broad areas of line and tone in both monochromatic and color drawings making them particularly gcxxl for larger scale works. Colored pastels were very popular w ith the Impressionists who referred to their use as dry painting. T heir colors can be bold and brilliant the word pastel does not imply paleness of lone. USING CHARCOAL Charcoal is usually made from willow vine or beech charred al a ven high temperature. It can be readily erased and smudged allowing you to leave many traces in the drawing that reveal the mark of the hand that made it. Energetic expressive drawings work well in this medium as do images that require a w ide range of broad strokes to depict large tonal areas. Charcoal marks Fluid vigorous and smudged marks are the key drawing components of most charcoal works Charcoal drawing tools Willow cnar oal is a Izittlo. powdery. and very tactile medium. Bound into a pencil or compressed - where charcoal dust Is mixed with fine clay and a binder it becomes more intense and more permanent. Charcoal can be smudged and dispersed with a fingertip or using a rubber tipped shaper. FIXATIVE Fixative is made from resin dissolved in a colorless spirit solvent and usually sold in spray can form. It has a strong smell and is best used m a ventilated area. Fixative plays an important part when drawing in charcoal or pastel. II can be sprayed onto your work at regular intervals throughout the process enabling you to fix areas of your drawing while it is in progress. It also acts as the final sealing layer for the preservation of your drawing. Seal head drawing uses charcoal in a variety of ways a tew linear strokes indicate the surface of the water broader darker tonal areas describe the head and rubbing back helps define the animal s reflection. Charcoal and pastels 11 COLORED PASTELS Pastels were developed in the 16th century and their name comes .

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