TAILIEUCHUNG - Anti-Spam Measures Analysis and Design
This course manual teaches you how to use LabVIEW to develop test and measurement, data acquisition, instrument control, datalogging, measurement analysis, and report generation applications. This course manual assumes that you are familiar. | Anti-Spam Measures Guido Schryen Anti-Spam Measures Analysis and Design With 50 Figures and 23 Tables 123 Guido Schryen Templergraben 64 52062 Aachen Germany schryen@ Library of Congress Control Number: 2007928525 ISBN 978-3-540-71748-5 Springer Berlin Heidelberg New York This work is subject to copyright. All rights are reserved, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilm or in any other way, and storage in data banks. Duplication of this publication or parts thereof is permitted only under the provisions of the German Copyright Law of September 9, 1965, in its current version, and permission for use must always be obtained from Springer. Violations are liable for prosecution under the German Copyright Law. Springer is a part of Springer Science+Business Media © Springer-Verlag Berlin Heidelberg 2007 The use of general descriptive names, registered names, trademarks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. Typesetting by the author Production: LE-TEX Jelonek, Schmidt & Vöckler GbR, Leipzig Cover design: KünkelLopka Werbeagentur, Heidelberg Printed on acid-free paper 45/3142/YL - 5 4 3210 To my parents Preface I am not sure about the meaning of a preface, neither about its convenience or needlessness nor about the addressees. However, I suppose that it is expected to tell a (part of the) “story behind the story” and that it is read by at least two types of readers: The first group consists of friends, colleagues, and all others who have contributed to the “opus” in any way. Presumably, most of them like being named in the preface, and I think they deserve this attention because they have accompanied the road to the opus and are, thus, part of the whole. .
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