TAILIEUCHUNG - Writing the short film 3th - Part 30

Writing the short film 3th - Part 30. Cuốn sách này chủ yếu giúp tham khảo về phương pháp viết kịch bản, phim ảnh, video và các nhà làm phim video - những người đang phải đối mặt với sự cần thiết của việc viết một kịch bản tường thuật ngắn sao cho hay, mạch lạc, nội dung phim được truyền tải hết đến người xem. | The Hyperdrama 193 of World War II with his parents dead and the fate of Danzig decided it is captured by the Russians and becomes part of Soviet-occupied Poland . Now 20 Oscar begins to grow again. The goal is made more plausible by giving Oscar other eccentricities and characteristics. For instance he always carries his drum. The drum and his scream which shatters glass are the two means Oscar chooses to use to communicate his feelings. The Antagonist There is no single antagonist in The Tin Drum. If there is any force that plays this role it would be nationalism specifically the Nazi form which in its aggressiveness destroyed countless people relationships and communities. The focus in The Tin Drum is on one family on its destruction in the period when its progeny Oscar chose stunted growth as a defense against Nazism. Oscar is not a political character and his story unfolds in a reactive emotional and visceral fashion. Consequently the antagonist nationalism manifests itself only in the relationships within Oscar s family and in the fate of those who have been kind to him a Jew a female Italian dwarf and of course in the fate of the three people who he considers to be his parents. In this sense the antagonist is an atmosphere a distant political entity rather than a single person. The Catalytic Event Oscar s birth is the catalytic event of the narrative. In the birth canal he appears already fully formed with knowing eyes the same size he will be when he makes his fateful decision to stop growing. He is thus presented at birth with a sense of seeing and knowing that one does not associate with a newborn child. This presentation makes credible the act of will that marks the end of his growth. It also positions Oscar as the perennial observer rather than participant in the events that shape his life. Also because he is presented as a passive observer in essence the position of the child in society we observe events as he does with an unusual detachment given the

• Sân khấu điện ảnh
• Cách viết phim ngắn
• kỹ thuật viết kịch bản
• kịch bản phim
• phim tài liệu
• video
• viết kịch bản hay
• kịch bản phim ngắn
• hướng dẫn viết kịch bản
• cách viết kịch bản
• kịch bản hay
• kịch bản phim truyện