TAILIEUCHUNG - The Uncanny Body: From Medical to Aesthetic Abnormality

During treatments it is important to regularly clean the handpiece. When the hair shaft carbonizes, it leaves debris on the sapphire window. This build up can make it hot and can make it difficult for the laser light to penetrate. Cleaning the ChillTip handpiece with alcohol prevents this barrier from forming. There is a small but real risk of infection because the hand- piece is in direct contact with the skin. Therefore, between patients the handpiece should be disinfected with a liquid disinfectant such as Virex | Alexander Kozin 463 The Uncanny Body From Medical to Aesthetic Abnormality Alexander Kozin Freie Universitat Berlin In this essay I explore a possibility of experiential synthesis of the medicalized abnormal body with its aesthetic images. A personal narrative about meeting extreme abnormality serves as an introduction into theorizing aesthetic abnormality. The essay builds its argument on the phenomenological grounds I therefore approach corporeality with Edmund Husserl and Maurice Merleau-Ponty. In turn Max Ernst introduces an aesthetic frame for the subsequent examination of uncanny surreality. Two exemplars of the surreal body Joel Witkins Satiro and Don DeLillo Body Artist intend to substantiate the preceding theoretic. The study shows how the encounter with the abnormal embodiment may suspend normalized modes of constitution to provoke uncanny experiences. In this essay I investigate the possibility of approaching the abnormal body as an experiential manifold. Specifically I argue that under certain conditions such as an aesthetic encounter the experience of the embodied abnormality is given as a syncretism of several modes of givenness which produce a multilayered engagement with the sphere other than real. For a phenomenological grounding of abnormality I call on Edmund Husserl. Maurice Merleau-Ponty enriches the Husserlian insights with his phenomenology of intercorporeality. Dialogically positioned Husserl and Mer-leau-Ponty help us understand how the abnormal other could be revealed beyond either representational aestheta or body-in-empathy to appear as an estranged but productive fusion of art and body in the sphere of its own the uncanny. I thematize the uncanny with the surreal art of Max Ernst. The phenomenologically motivated argument opens with a personal experience of the abnormal body and its aesthetic context which serves as the guiding clue for the subsequent analysis. In order to extend the analysis past the personal experience I conclude with

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