TAILIEUCHUNG - 3d Scanning of Archaeological Sculpture

The barbute is an exclusively Italian form that developed from the basinet, as may be seen in the drawings on the following pages. The basi- net derived in turn from the conical Norman casque, which in turn had its prototype in bar- barian and Near Eastern examples. The design of medieval armor evolved out of combat experi- ence; as the wearer suffered injuries in unpro- tected areas, additions and modifications were made in his armor,. | í TLAAR Reports 3-dimensional technology January 2010 3d Scanning of Archaeological Sculpture Monument 85 Bilbao Cotzumalhuapa Geomagic Software Author Cindy Contreras Editor Nicholas Hellmuth 4 TLAAR Reports 3d scanners - 3d software reviews 3d Software for Maya archaeology research TABLE OF CONTENTS Introduction 1 Processing Scans in Geomagic for Archaeological and Ethno-botanical Research Photo Essay Other FLAAR Reports 2 3 7 4 TLAAR Reports 3d scanners - 3d software reviews 3d Software for Maya archaeology research Introduction 3-dimensional technology research projects in cultural heritage FLAAR Mesoamerica is a non-profit educational organization dedicated to research education and outreach on how digital imaging technologies can record our visual links to the past present and future especially related to pre-Colombian cultures of Mesoamerica. FLAAR also evaluates large format printers and has been a beta tester for scanners and high-resolution digital cameras. As technology advances every day and there are new trends in digital imaging FLAAR is now entering into 3d imaging capturing and 3 dimensional analysis for the preservation and documentation of cultural heritage. In December 2009 two persons of the FLAAR staff together with FLAAR director attended a special three-day 3D scanner training course at Zcorp where they learned how to handle the portable ZScanner 800 and how to process the data from it. They came back to Guatemala with a ZScanner 800 and a HP laptop with one licensed copy of Geomagic installed both lent from Zcorp for 90 days. Since then our team in Guatemala has scanned several native fruits and vegetables for our Mayan ethnobotany projects and visited the Museo Cotzumalhuapa for a scanning session of the sculptures. In this report we describe the process of the Monument 85 of the Museo Cultura Cotzumalguapa. Eduardo Sacayón and Cindy Contreras members of FLAAR staff during the 3D scanner training at ZCorp with Joe Borto-lotti.

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