TAILIEUCHUNG - National Gallery of Art Sculpture Garden

The decision-making process outlined in this handbook assume that you will seek com- petitive bids or award a sole-source contract. These two methods are highly recommended for works of art because potential contractors will be judged on the quality of their work and appropriateness of their background. Soliciting competitive bids is preferable if you are just beginning to work with conserva- tors, if the project is large or long-term, or if you are required to solicit bids. When you take this approach, it is absolutely critical to invite proposals from conservators with similar qualifications and experience. The carefully written, detailed project specifications you provide the bidders will enable. | The Sculpture Garden is given to the nation by The Morris and Gwendolyn Cafritz Foundation National Gallery of Art Sculpture Garden A. entrances B. fountain ice rink C. pavilion café service restrooms D. terrace dining Please enjoy the garden and sculpture. We ask that you do not touch the works of art. No bicycles rollerblades or skateboards No animals except service animals Sculpture Garden hours Monday through Saturday IO am to 5 pm Sunday II am to 6 pm Memorial Day through October Ị Monday through Thursday and Saturday IO am to 7 pm Friday IO am to 9 30 pm Sunday II am to 7 pm Ice rink hours November IỊ through March I5 weather permitting Monday throughThursday IO am to II pm Friday and Saturday IO am to midnight Sunday II am to 9 pm Sculpture Garden Guided Tours April May June September October Friday at 12 30 Saturday at 1 30 weather permitting 50 minutes . Meet at Pavilion. Madison Drive Seventh Street The National Gallery of Art Sculpture Garden occupies acres on the Mall. Its design incorporates a central fountain in winter an ice rink ringed by linden trees. Planted with perennials ground covers shrubs and flowering trees the landscape design provides a distinctive setting for important works of modern and contemporary sculpture primarily American. Ranging from forty-two inches to nearly twenty feet high and from bronze to concrete block these works of art represent the richly diverse character of the collection. sculpture Claes Oldenburg American born 1929 Sweden and Coosje van Bruggen American born 1942 The Netherlands Typewriter Eraser Scale X 1999 stainless steel and cement Gift of The Morris and Gwendolyn Cafritz Foundation In the mid-1960s Claes Oldenburg began to make drawings of monuments based on common objects such as a clothespin or a pair of scissors challenging the notion that public monuments must commemorate historical figures or events. The artist s selection of discredited or obsolete objects extends to those .

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