TAILIEUCHUNG - Sonic Art & Sound Design- P7

Sonic Art & Sound Design- P7:Sonic art is a new art form, or rather, forms. As we shall see, it can encompass a wide range of activities, perhaps wider than almost any other art form. It is an unusual case, based upon a medium that has traditionally been regarded as inferior and subservient to other creative or expressive forms. | ORIGINS AND DEVELOPMENTS A New Form Emerges Introduction As we have seen in the post-war period technical possibilities began to develop at a dramatic rate and so did the thinking of practitioners of sonic art and sound titles were not in use at the time most creators of this type of work were still referred to as composers engineers or editors and their work was discussed in appropriate is perhaps not surprising since many of them came from traditional musical backgrounds and had only opted to work in new and developing areas after a conventional training. It follows that a good deal of the work that was created quite rightly belongs under the title of music . Equally however an increasing amount of work simply did not fit in this category and artists sometimes found themselves in an increasingly problematic situation as a result. Edgard Varèse One notable example was the work created by French composer Edgard Varèse for the 1958 Brussels Expo the Brussels Universal Exhibition - the first post-war World Fair taking the theme A World View - A New Humanism . His Poeme Électronique was in many respects something that we would regard nowadays as an installation work or indeed a work of sonic art rather than a piece of music. It used up to 425 loudspeakers distributed around the Le Corbusier-designed Phillips Pavilion and also included film and slide projections and lighting effects. The sounds were both concrete and electronic in origin and were processed using a range of techniques many of them developed from the work of Pierre Schaeffer. Critics usually discuss this work in musical terms but this is clearly only part of the story since Varèse himself expressed at least as strong an interest in sound itself as he did in music and in any event sound was just one component amongst several that made up the work as a whole. A NEW FORM EMERGES IT CONSISTED OF MOVING COLOURED LIGHTS IMAGES PROJECTED ON THE WALLS OF THE PAVILION AND MUSIC. THE MUSIC

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