TAILIEUCHUNG - Drawing Workshop II- P15

Drawing Workshop II- P15: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | Flowers in a vase In the finished drawing the edges of the collage paper are still visible giving an extra textural dimension - a layered effect that suggests different planes of the leaves and flowers. Starting with the collage is an interesting exercise because it gives you something to read to. other than just the subject and so injects a new arguably more personal clement into your drawing. I OBJECTS 6 Jars and jugs Crosshatching is a sensitive way of defining tone and three-dimensional form in pen and ink drawings. The technique allows you to create tone hy varying the frequency of line - the closer together the lines the darker the impression rosshalching is used not just in drawing hut also in etching and engraving techniques where the lines can he even more delicate. 1 his project captures some of the qualities of old engraving using sepia pens - softer and more appealing than harsh hlack on white - to render a classic still life composition made up of hotties jugs and jars. EQUIPMENT Warm yellow thick drawing paper 2H pencil Waterproof fiber-tip sepia Ink pens B broad M medium F fine and S superfine TECHNIQUES Crosshatching to express tone form and shadow Capturing highlights and shadows S Use the 211 pencil Io lightly mark out hr shapes and relative positions of the objects and the key shadows that ground them. Measure the dimensions as necessary see p. 22 as you map out the composition it is important to get this right now .is your later ink marks will be hard to correct. Work over the pencil outline with the B ink pen. Try Io be loose with the line varying its strength and width this helps give the objects character from the outset. Break the How of the line in places Io add further interest to the drawing. BUILDING THE IMAGE Using the 2H pencil map out the areas where reflective highlights fall when you start shading with the crosshatch technique you ll need to work fast. Start adding tone using the M ink pen. Work on one object al .1 time

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