TAILIEUCHUNG - Essential guide to writing part 24

The final sentence sums up the scene and states the impression directly, as to the modifiers "neatly," "clean," "gay," but on the whole the images create the sense of middle-class fulfillment. Any ugliness is excluded. If the lawn were disfigured by crabgrass, if weeds leered among the flowers, the facts are discreetly omitted. Very different are the details—and the impression—in this account of the homes of miners in the north of England: no hope of describing them adequately. To begin with, the smell, the dominant and essential thing, is indescribable. But the squalor and the confusion! . | For more material and information please visit DESCRIPTION 359 The final sentence sums up the scene and states the impression directly as to the modifiers neatly clean gay but on the whole the images create the sense of middle-class fulfillment. Any ugliness is excluded. If the lawn were disfigured by crabgrass if weeds leered among the flowers the facts are discreetly omitted. Very different are the details and the impression in this account of the homes of miners in the north of England I found great variation in the houses I visited. Some were as decent as one could possibly expect in the circumstances some were so appalling that I have no hope of describing them adequately. To begin with the smell the dominant and essential thing is indescribable. But the squalor and the confusion A tub full of filthy water here a basin full of unwashed crocks there more crocks piled in any odd corner torn newspaper littered everywhere and in the middle always the same dreadful table covered with sticky oilcloth and crowded with cooking pots and irons and half-darned stockings and pieces of stale bread and bits of cheese wrapped round with greasy newspaper And the congestion in a tiny room where getting from one side to the other is a complicated voyage between pieces of furniture with a line of damp washing getting you in the face every time you move and the children as thick underfootas toadstools George Orwell Sometimes a writer concentrates on one or two images which symbolize the impression. In the following passage Alfred Kazin projects into two key symbols his childhood despair at being forced to attend a special school because of his stuttering It troubled me that I could speak in the fullness of my own voice only when I was alone on the streets walking about. There was something unnatural about it unbearably isolated. I was not like the others At midday every freshly shocking Monday noon they sent me away to a speech clinic in a school in East New

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