TAILIEUCHUNG - Essential CG Lighting Techniques with 3ds Max P2

This also applies conversely: indoor film is generally used for outdoor night scenes, as the dominant light in this situation would be artificial lights. For an outdoor rendering, if you wanted to mimic daylightbalanced film, you’d start with a color balance of 5500 K. Your light representing the direct sun, depending on the time of day, would, according to Table , have a color temperature of somewhere between 4300 K and 5000 K. Being slightly less than your chosen color balance of 5500 K, you’d give this light a yellow tint, with the saturation increasing the lower the value. . | 16 ESSENTIAL CG LIGHTING TECHNIQUES WITH 3DS MAX indoor shot if the main light source is a window. This also applies conversely indoor film is generally used for outdoor night scenes as the dominant light in this situation would be artificial lights. For an outdoor rendering if you wanted to mimic daylight-balanced film you d start with a color balance of 5500 K. Your light representing the direct sun depending on the time of day would according to Table have a color temperature of somewhere between 4300 K and 5000 K. Being slightly less than your chosen color balance of 5500 K you d give this light a yellow tint with the saturation increasing the lower the value. The light from the sky would be given a saturated blue tint as its color temperature is much higher than your 5500 K color balance. However the saturation of these tints is something ultimately left to your own assessment. Furthermore in reality outdoor illumination is made up of many more colors due to the way in which the sun s light reflects off objects in the environment bringing into the scene light tinted with the colors of these reflecting objects. Take a look at your scene and the principalc olorsofd e if your scene were set against a backdrop of a large brick wall the red color of the light bouncing from the bricks would have to be imparted to your lighting scheme. . For lighting scenarios where the dommvnthglcttoierce was artificial the same principles would apply though you d be working with a color balance of 3200 K to rntaiictungsten-balanced film. The lights that would haveetowertempemture and thus have to be given a yellow tinl wcutd nowbultatgslOke domestic lights. Direct sunlight howeverwouie powbe tf v higher color temperature and thus woult be given aHkktot unless it was sunrise or sunset. The colts of thelightboanvmg off the walls floor and ceiling of the envrrprnneetwouidstillaieo have to be taken into consideration. One final thing of note is

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