TAILIEUCHUNG - Writing the short film 3th - Part 13

Writing the short film 3th - Part 13. Cuốn sách này chủ yếu giúp tham khảo về phương pháp viết kịch bản, phim ảnh, video và các nhà làm phim video - những người đang phải đối mặt với sự cần thiết của việc viết một kịch bản tường thuật ngắn sao cho hay, mạch lạc, nội dung phim được truyền tải hết đến người xem. | 74 Writing the Short Film THE RATIONALE BEHIND THE CHANGES The father s inner action is to get the mother to tell the child about the divorce without his having to be present while the mother s is to ensure that they tell her together. His line I honestly think it would be better if you told her is too supplicating and is in any case implied by I ve got meetings all week. Her response Cancel them is far stronger than her accusation of not giving a damn about his daughter the implication is that if he cared about her at all he would do what was necessary to take part in telling her. Other lines have been dropped for similar reasons to make the conflict between them stronger and more indicative of what is wrong with the marriage. The writer s goal throughout the revision was to emphasize the struggle between the couple by compressing their language increasing the tension by bringing their anger under as the expression goes. She also wanted to imply that this kind of conflict is not at all unusual for them just the particular subject on this occasion. All of this would set up the conditions for Annie s flight. You should note that a pause before a response usually denotes some kind of struggle or debate on the part of the responding character a pause within a speech indicates some kind of struggle or debate on the part of the character who is speaking. In rethinking the structure of the scene it seemed better to avoid breaking up their exchange because removing the interruption increased the tension between them and holding off on the audience s discovery of Annie under the table until the very last moment made it more effective. TWELFTH ASSIGNMENT REVISING YOUR DIALOGUE Read your answers to the seven questions from Exercise 2 about your dialogue sequence and then the scene itself. Try to figure out what is going on between the characters and what each of their inner or dramatic actions is or seems to be. If this is unclear come to a determination of what actions .

• Sân khấu điện ảnh
• Cách viết phim ngắn
• kỹ thuật viết kịch bản
• kịch bản phim
• phim tài liệu
• video
• viết kịch bản hay
• kịch bản phim ngắn
• hướng dẫn viết kịch bản
• cách viết kịch bản
• kịch bản hay
• kịch bản phim truyện