TAILIEUCHUNG - Art in England Notes and Studies

It will be readily understood that this little volume does not affect to set forth anything like a formal history of the rise and progress of Art in England. The fitting treatment of such a theme would need much more space--not to mention other requirements--than I have here at command. I have designed merely to submit in a manner that may, I trust, be acceptable to the general reader, and not wholly without value to the student, some few excerpts and chapters from the chronicles of the nation's Art, with biographical studies of certain of its artists. In this way I have felt myself bound so. | Art in England by Dutton Cook 1 Chapters Chapters Art in England by Dutton Cook The Project Gutenberg eBook Art in England by Dutton Cook This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at Title Art in England Notes and Studies Author Dutton Cook Release Date December 31 2006 eBook 20237 Language English Character set encoding ISO-8859-1 START OF THE PROJECT GUTENBERG EBOOK ART IN ENGLAND E-text prepared by Audrey Longhurst Wilelmina Maillière and the Project Gutenberg Online Distributed Proofreading Team http c ART IN ENGLAND Art in England by Dutton Cook Notes and Studies 2 by DUTTON COOK. London Sampson Low Son and Arston Milton House Ludgate Hill. 1869. Edinburgh T. Constable Printer to the Queen and to the University. CONTENTS. PAGE EARLY ART-SCHOOLS IN ENGLAND 1 VERRIO AND LAGUERRE 15 A SCULPTOR S LIFE IN THE LAST CENTURY 28 THE RISE OF THE ROYAL ACADEMY 55 WIDOW HOGARTH AND HER LODGER 104 ALLAN RAMSAY JUNIOR 123 GEORGE ROMNEY 142 COSWAY THE MINIATURE-PAINTER 175 THE STORY OF A SCENE-PAINTER 201 THE STORY OF AN ENGRAVER 230 SIR JOSHUA S PUPIL 244 HOPPNER AND LAWRENCE 260 THE PUPIL OF SIR THOMAS LAWRENCE 295 TURNER AND RUSKIN 316 PREFACE. It will be readily understood that this little volume does not affect to set forth anything like a formal history of the rise and progress of Art in England. The fitting treatment of such a theme would need much more space--not to mention other requirements--than I have here at command. I have designed merely to submit in a manner that may I trust be acceptable to the general reader and not wholly without value to the student some few excerpts and chapters from the chronicles of the nation s Art with biographical studies of certain of its artists. In this way I have felt myself bound so to select my materials as to avoid

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