TAILIEUCHUNG - Sculpture in the Wild-Spring 2008

Clear objectives will help you match the right conservator to your project and help the conservator provide the information and services you need. A brief but thorough education in the issues, language, and methods of outdoor sculpture conservation is also essential. Learn about the materials, fabrication methods, and deteriora- tion mechanisms of various types of outdoor sculpture as well as the ethical and aesthetic issues involved. (A good resource is Guide to the Maintenance of Outdoor Sculpture.) When you are equipped with a basic working vocabulary, you will be able to ask prospective conser- vators thoughtful questions and evaluate their responses. Having an overview of the most commonly. | 4801 La Crosse Avenue Austin Texas 78739 Sculpture in the Wild-Spring 2008 This spring the Wildflower Center in collaboration with Austin Green Art a non-profit organization dedicated to promoting art focusing on environmental topics is featuring nature inspired sculptures by various Texas artists in our gardens. This is part of a rotating exhibit program where each show will run for several months to be followed by a new show. Visitors are encouraged to see how the gardens change over the seasons and how this affects the context of the art. By hosting temporary exhibits we hope to attract visitors over and again to see what is new. Our objective is to present art that is nature related figurative or abstract and uses natural materials such as stone wood clay etc. See below for more information about the current artists and their works. For purchase information please inquire at the Store. 1 Title of Sculpture Skyline II Artist Julia Ousley Medium Cedar from her old deck Location at Wildflower Center Front Cistern Price 15 000 Julie s first career was in the healthcare field which left her with a strong interest in human form and condition. She became an architect and urban planner and that instilled in her a love of the grid as the underlying structure of cities and buildings alike. Julie has said that most often her art concerns that place where the human condition and the urban environment intersect. Her sculpture Skyline II resembles faceless masses of figures which refers to the anonymous nature of people in the urban environment and their reduction to symbols of the individual. While the figures are flat blank cutouts they are also textured and complex. They stand like statues at various heights like urban dwellers in a skyline of architectural non-architecture. These groups represent homage to the everyman inherent in our democratic culture. Skyline II is constructed to be outdoors are slotted grids that fit together and can .

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