TAILIEUCHUNG - the animator s survival kit phần 2

Các tùy chọn tìm kiếm được hiển thị trong hình . Windows Desktop Search được tích hợp vào chức năng tìm kiếm mới của SolidWorks. Để chức năng này để làm việc đúng, phải được cài đặt Windows Desktop Search (nó nằm trên SolidWorks CD-ROM), và sau đó ổ đĩa hoặc ổ đĩa của bạn phải được lập chỉ mục, sẽ mất một số | I showed my ex-illustrator mother several of these life drawings when she was bed-bound just before she died. Tve been working at reconstituting myself Mom doing all these drawings. She looked at them carefully for some time then said Very nice very nice . Nothing new. Advice from the inside - from one s family - somehow doesn t have the same impact as from the outside. However my mother had once said When you go to art school you ll find everybody sitting around practising how to do their signature and sure enough there they were some of them doing just that. She also gave me this great advice Don t try to develop a style. Ignore style. Just concentrate on the drawing and style will just occur. Of course there s an opposing view to all of this you ve got to learn to draw stuff. The great Tex Avery master of animation s ability to do the impossible and make the unreal spring to life - and the first director of Bugs Bunny and Elmer Fudd - said I was never too great an artist. I realised there at Lantz s that most of those fellows could draw rings around me . I thought Brother Why fight it I ll never make it Go the other route. And I m glad I did. My goodness I ve enjoyed that a lot more than I would have enjoyed just animating scenes all my life. 29 Tex stopped animating and became a great original and innovative director. The biographer John Canemaker said While Disney in the 1930s was trying to convince the audience of the reality of his characters in his film world by creating his illusion of life Tex went in the opposite direction celebrating the cartoon as cartoon exploring the medium s potential for surrealism. He never let audiences forget they were watching an animated film. Tex had a twenty-year run with his wildly funny approach to the medium but he found it impossible to sustain. I m burned out he said. His colleague animator Mike Lah said He didn t have any more space. He used it up. I love Tex Avery s cartoons - his drawings and character designs. His .

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