TAILIEUCHUNG - Developing Skills for the TOEFL Intermediate 2nd Edition_Part11

Tham khảo tài liệu 'developing skills for the toefl intermediate 2nd edition_part11', ngoại ngữ, toefl - ielts - toeic phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả | M p s dijosuBJi ìe n It to Id 10 te r w 3f Is d o s y e S e e h g B I h r s M Well first of all his work was mostly informed by his imagination and intuition. And he thought it was important to depict subjects in ways other than what was expected. W Great point. I think that element is probably best exemplified in the way he portrayed his subjects as stretched out. You know I read something interesting about that once about the elongation of El Greco s subjects. It was an article by this art historian . he proposed that the reason that El Greco s subjects looked all stretched out like that Is probably because he had astigmatism. Is that true or were the elongated figures really part of El Greco s style W Well uh for those of you who don t know astigmatism is a condition that affects the eyes. Very simply put it can cause objects to appear more stretched out than they actually are. Anyway that s an interesting theory. I know it seems like astigmatism could account for El Greco s style but if you think about it for a minute you ll see that it doesn t really make any sense. See the astigmatism theory recognizes . that the subject will be seen differently but it fails Ịto acknowledge that the artist with the astigmatism would also see the canvas and the room and really everything with the same distortion Does that make sense M Um yeah I guess I can see that. But still to me it made a lot of sense actually looking at El Greco s paintings. I mean even if everything is distorted it would still produce that effect wouldn t it W Not exactly. Here let me give you an example. According to the astigmatism theory the reason that the subjects in El Greco s work are stretched n out is because that is how he actually perceived them due to astigmatism. But consider a work 7 where the subject is lying down horizontally. If 3 he were in fact just painting what he saw the Ệ subject would appear to. be quite thick à Instead his subjects are never really elongated I r horizontally It s

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