TAILIEUCHUNG - Drawing Workshop II- P21

Drawing Workshop II- P21: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | CD CO Drawing offers a huge range of possibilities for mirroring today s preoccupations. I CONCEPTS Process and ideas T raditionally drawing subjects were more or less restricted to the natural world still life anil the human figure. This has changed drawing today has few limits in terms of its subjects materials and techniques. I lowcver this unprecedented freedom can create its own tyranny. More than ever it is essential to develop your own personal framework to work within and be clear about targeting your intentions and interests. REINVENTING MEDIA AND SUBJECT The range of drawing media is constantly expanding and today traditional techniques sit alongside new materials and digital processes providing entirely new channels for expression. New and mixed media allow revolutionary takes on old subjects and are suited to more radical experimentation exploring the nature of representation and of mind itself. A traditional still-life subject is here tackled using mixed media - Fisheye perspective Ink and pastel - drawn on a Plexiglas ground With light seeping from behind the chaotic drawing with its distorted perspective takes on a quirky cartoon like quality. This representation a figure eschews classical tradition in favor of emotional intensity. The closed pose combined with dense simplified areas of pattern and color and lack of tone creates an iconic image of introspection. Ink and gesso provide dense colorsand solid whites. V . A ÿ Sm 6 Q . __ . . A broad dark ink wash is perfect base for the spir . graph snowflake like forms in white ink which float on the surface of this mysterious and evocativo drawing - is it landscape or abstract pattern Process and ideas 11 This drawing of a building .- . the convr-ntmiisot architectural representation is given a new edge by caretui choice ol media. The use of black and gold suggests power and gravitas transforming the skeletal structure into a modernist temple. A postcard of an old master pa tinci s .

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