TAILIEUCHUNG - Drawing Workshop II- P12

Drawing Workshop II- P12: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | 4 I OBJECTS Space media and expression I he way you place an object within its surroundings will shape the meaning of a drawing. You can choose to isolate the object from its environment focusing attention on its form and surface qualities or locate it within a scene that invites the viewer to explore. I he media and the quality of the marks also set the pilch of a draw ing - whether it informs moves or challenges the viewer on an intellectual level. DIFFERENT MEDIA livery medium has its own qualities for example colored pencil makes delicate marks while ink and brush creates fluid gestural lines. Clarify your intentions before deciding upon your media do you want to make a drawing that is analytical emotional allusive or descriptive I lowever trust your intuition there s nothing to stop you miking an emotionally-charged image in pen and ink. MEDIA FOR ANALYSIS AND EMOTION Colored pencil used tor Hus study ol Brussels sprouts drawn centrally on toned paper - allows for fine detail and a degree of decorative expression in both line and tonal work. Mixed media a combination ol ink. gesso and pastel irate an expressive colorful gestural drawing that deliberately plays with space and depth to emphasize a sense of exuberance. Pen and ink .well suited to this detailed study ol a grasshopper. I -ini lines capture the Intricacy of surface detail while empty space around the insect focuses attention on the bold rendering of the central form. Space media and expression 15 GESTURAL DRAWING There are many ways to translate the observed on to paper without being representative. Gestural drawing does not set out to create a facsimile of the object but tries instead Io suggest its essential feeling it is concerned with the process of drawing itself as much as the subject depicted. Perhaps the best analogy is to visualize describing the object with your hands as you talk your gestures are akin Io those you make when gesture drawing. the thickness and weight of the outer lines .

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