TAILIEUCHUNG - Drawing Workshop II- P9

Drawing Workshop II- P9: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | 0 Venetian vignette 3 Begin to draw over the pencil outline. Start with he line ink pen a line line can always he made heavier but a hick line is there for good. Keep your hand loose you are using the pen as a drawing not writing tool. Draw the figure of he gondolier allowing the lines to wander a little Io capture the dynamism of the pose. Pay careful attention to the weight distribution in the laxly rememlxT that the gondolier is pushing against the pole. Map out the horizon and the distant buildings still working with the line pen lift the pressure on the pen to create wispy lines that imply distance. Begin to add shading to the interior of the boat initially using evenly spaced parallel lines. LANDSCAPE 6 Continue shading he boat and figure with directional lines vertical for upright elements like the legs and diagonal for the torso to suggest motion. Start building denser tone in the boat by crosshatching the darker shadow areas. 7 Draw the water using S shaped siring like marks to represent the way in which the water eddies in the wake of the boat and short wavy horizontals to represent the wavefronts. 8 Make horizontal marks to add tone Io the background. Use the line ink pen and keep the lines well spaced. 1 he lighter background that results will appear to be recessive in the finished draw ing. 9 Gradually build up layer upon layer of crosshatching al different angles a technique sometimes called haystacking to darken both the boat and figure which appear as ncarsilhouettcs. OAdd the densest tones using the medium ink pen filling in only the dec X sl shadows completely with ink. Selectively leave highlights to show the direction of incident light. 2 Venetian vignette 4 Wei h line sable brush with clean water and begin painting the wash over the background marks to release the pigment from the ink. Work along the lines of hatching not across them so that the color diffuses gently giving a faint misty effect. Variations in tonal density help establish .

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