TAILIEUCHUNG - Drawing Workshop II- P8

Drawing Workshop II- P8: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | 4 I LANDSCAPE T Art deco building This drawing is an exercise in one-point perspective see p. 26 in which dynamic mark making is used to evoke a powerful architectural structure. The starling point is a photograph of an art deco building taken from a deliberately low viewpoint to inject strong perspective into the composition. The building s form emerges from tone rather than line detail and the drawing is not intended EQUIPMENT Heavy white drawing paper Tracing paper 3B pencil and ruler 6B and 9B graphite sticks Plastic eraser TECHNIQUES to be overly representational the tone is created through the bold use of graphite sticks and pencils. SKETCHTHE COMPOSITION Lay a sheet of tracing paper over your photograph and draw over the building s key outlines with the 3B pencil. The tracing distills the lines that create perspective and is a useful reference when you begin your drawing. Match your media to the content graphite is great for tough solid forms. Using one-point perspective Creating tone and reflections in graphite Mark out he the vertical walls and key horizontal elements of the building with the 3B pencil. Refer frequently to your photograph and to your tracing of its key outlines it is important to get the perspective right before you start to add lone to he drawing. Use a ruler for the straight lines. BUILDING THE IMAGE Continue mapping out the principal horizontal lines in the composition using the ruler for the straight edges. Indicate the positions of the windows along the vertical lines with faint dashes. Pul your reference tracing Io one side and begin working directl and much more freely from the original photograph. TONE IN GRAPHITE Try not to get bogged down in detail the essence of graphite drawings Is laying down the correct densities of tone. 3 Establish the curved forms of the building s tower with the 6B graphite stick. Draw the curves smoothly pivoting your wrist from where it rests on the paper using your hand like a compass. Bub out the .

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