TAILIEUCHUNG - Drawing Workshop II- P7

Drawing Workshop II- P7: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | COLOR AS SUBJECT I or pre-Renaissance artists color was used to ascribe spiritual value to a subject prized pigments such as ultramarine Vermillion and gold wen used not for decorative effect hut to directly relied Cod s glory. This highly symbolic use of color created its own order within the work. Many recent artists too have focused on color as the subject of their work a notable example is the American artist Mark Rothko w hose non-representational color compositions are charged with emotion. Background figures are the same size as those m I tie foreground. Color in space 2 Blue appears recessive even in abstract composition. Red verticals appear Io push forward from the plane of the paper. Layers of colored pastel .v-depth to this abstract composition textures implying solidity contribute to the reality of this Invented space. The absence of linear perspective is no barrier to creating an lhe importanceol figures tn medieval Clear iconic images send a Illusion of depth. A hierarchy is conjured up in this medieval work by art was reflected in the cost of the direct religious message. lhe use of warm red and skin tones against recessive blues and violets. pigments used to depict them. I LANDSCAPE Composition and illusion I hc illusion of depth created by linear perspective and reinforced through the use of color can he further enhanced by compositional sleight of hand. The frame that a drawing sits within is not just an embellishment but presents another plane to the viewer and defines the positive and negative spaces within the piece. Frames created within the drawing will similarly influence the perception of depth. INTERNAL FRAMES Take some time to study a scene before establishing your viewpoint. Natural frames such as a doorway window a gap in foliage or even a shadow cast by an object will launch the eye on an imaginary journey to the back of the drawing. Reference points objects encountered along this journey establish successive planes within the .

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