TAILIEUCHUNG - Color mixing the van wyk way - Phần 9

Tham khảo tài liệu 'color mixing the van wyk way - phần 9', văn hoá - nghệ thuật, điêu khắc - hội họa phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả | Drapery A Popular Background Beautiful renderings of folds of draped cloth can be seen in every art museum. Visitors to the galleries where the formal portraits of the English gentry hang marvel at the texture and folds of elegant satin and brocade. The drapery on the figures in the myriad religious paintings of the Italian Renaissance is painted with lively colors not to mention how accurately the folds conform to their bodies movements and anatomy. Renderings of cloth in many different compositions seem to have been done with ease by even the lesser painters of the period. Today the need to paint drapery well remains. One obviously is in portrait painting where you are always faced with doing clothing and perhaps at times when you might like to use drapery to excite or soften a background. In still life painting drapery is often used as backgrounds or as essential parts of a composition in the form of embroidered or lace table cloths or just plain kitchen towels. I feel that a chapter devoted to painting drapery can serve two purposes it will prove that the basic principles of color and tone can be used to render any subject even the ins and outs of the folds it will also give me a chance to stress the necessity of using an efficient procedure of color application when faced with a complex confusing subject matter. All the tones of light and dark that you see on all the folds as they hang next to each other are confusing and if you try to paint all of them in one application your rendition might Ji well record your confusion. To paint complex subject p y matter you must resort to doing it in simple stages of UeveIopmeni_I find that I use two distinct applications of paint to record drapery 1. The first stage records the shape of the shadow areas as one tone. This shadow area is made up of the body shadow and the darker cast shadows but during this first stage I paint them both only in one tone of shadow color. Shadow color is relatively complementary to the color

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