TAILIEUCHUNG - Ron Ranson On Skies - Phần 1

Tài liệu tham khảo bằng tiếng Anh về hội họa - Ron Ranson On Skies - Phần 1 | Introduction Contents 8 Understanding Skies 13 Materials 22 Skies in Watercolour 26 Skies on Location 41 Skies in Other Media 49 Design in Skies 55 Using Your Camera 63 Special Effects 67 Photographs as a Source 72 Reach for a Sky 86 Completing the Picture 111 Examples from the Experts 118 Index 128 Introduction You may be asking yourself why I m attempting a book exclusively about skies. You may even think that this is getting too specialized. However having written several general books on watercolour I ve come back time and time again to the realization that skies dictate the whole mood and feeling of a painting. Yet this aspect of painting remains one of the most neglected and while much time and concentration are spent on things such as trees buildings and rivers the sky often remains merely an afterthought. Let s take a moment or two to imagine a quiet estuary drenched in sunshine which blazes down from a clear blue sky - just feel the warmth Now transform the scene. Perhaps there s a storm approaching and the warm blue gives way to dark cool grey which is matched by the water below. Although all the component parts of the scene are exactly the same the whole atmosphere has changed and the mood is completely different. Why then when it is obviously so important is the sky treated in such a cavalier fashion It seems to me that one of the main reasons is fear caused by a lack of knowledge. As a teacher I am often amazed how little basic knowledge students have about the sky above them. Even such fundamentals as the fact that white cumulus clouds are like pieces of cotton wool under a spotlight with a shadow beneath them have to be explained. The feeling of peace and space in this composition is enhanced by the mixture of warm and cool colours throughout the painting. A sense of unity is provided by the reflection in the water of the warm patch of sky above and by the grey of the clouds being repeated in the trees on the distant horizon. The eye is directed by .

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