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Drawing Workshop II- P22

Drawing Workshop II- P22: This book contains everything you need to know to improve your drawing skills in 12 easy steps. "Drawing Workshop II" is for anyone who wants to improve their drawing skills. Starting with materials and techniques, warm-up exercises encourage you to build your expertise and confidence. Easy-to-follow step-by-step projects designed to train your eye and develop your skills show you what to do, and demonstrate key techniques used to build perspective, atmosphere and movement | 4 I CONCEPTS Gallery Inspiration lor drawing in the modern era derives from a huge variety ol sources and is shaped by a proliferation ol new media. In the Car This iconic image by Roy I Jchtenstein draws its inspiration from comic-book culture. The artist would cut out and edit graphic images using his select ion as the basis for constructing larger works. Lichtenstein often used projected images to transpose pictures accurately on to working grounds. Roy Lichtenstein Study for Crinoline This drawing is part of a series of preparatory works for a sculpture. A few expressive lines in ink conjure up a sense of volume and texture in the dress and contribute to a sense of fantasy. Sophie I lunnnerlott Gallery 11 Untitled Chalk on Paper Repetition of fragile lines across a prepared surface creates rhythmic forms in this semi-abstract landscape contained by a bolder horizon line. Suppressed color works in conjllCtion with the banding to evoke a childlike rainbow-tinged view of the world. Paid Klee Quiet Move II Uncommonly a white line is used to define forms in this complex visual construction. Mixed media explore the explosive dynamics of sculptural form and the illusions of space.md depth. Roderick K. Ncu linab The Gleaners Compressed charcoal on a textured paper creates a busy surface in this simple drawing. The modular compositional and tonal contrast imparl a dramatic edge to the actions of a field worker Georges Sennit Mixed Media on Paper Forms inspired by nature arc caught up in a whirlwind colored shapes ebb and How across the prepared paper drawing the eye repeatedly in a spiral on the pictorial plane. Lorraine Coolie 5 CONCEPTS 10 Archaeological finds Drawing is illusion and your choice of subject need not be constrained by what is really out there. The subject of this drawing is a group of real terracotta objects archaeological finds - combined with a photograph of a classical Greek scene. The two subjects are unified by harmonious composition and by the .