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Tham khảo tài liệu 'color mixing the van wyk way - phần 5', văn hoá - nghệ thuật, điêu khắc - hội họa phục vụ nhu cầu học tập, nghiên cứu và làm việc hiệu quả | Raw Sienna Raw Sienna another earth color was originally found near Siena in Tuscany hence its name. It is a yellow orange of medium intensity and useful in admixture with other warm colors to record the many versions of medium-toned yellow orange that we see in nature. Raw Sienna makes a dull yellow green when mixed with Thalo Green. It adds warm color into the interior of the shadows on lemons and other light yellow colored things. Its color from the tube can be used for the mass tone of gold. You may think that the color is too dark for gold but remember the all-important mass tone is never the lightest color you see on an object. Save the tone for the highlights. Raw Sienna darkened and grayed with Alizarin Crimson Thalo Blue black and white. CHAPTER 9 RAW SIENNA 51 Figure 1 FIGURE 1.1 don t know what this bucket was originally used for but 1 store onions in it which made painting it with onions seem like a natural. STEP 1. The placement and some drawing gets you started. STEP 2. When painting a subject against a dark background you must mass in a background before starting on the subject. You may go back and repaint it to improve it but never drastically change its tone. After roughing in the basic light and dark and the foreground paint the bucket using the following progression of application 1. The mass tone or body tone Raw Sienna Burnt Sienna and white. 2. The mass lone slightly darkened and intensified add more color to reduce the amount of while in the mixture. 3. The shadow edge is blue violet complement of yellow orange Thalo Blue and Alizarin Crimson into 2 mixture. 4. Then the actual color only darker appears in the shadow because of general illumination Burnt Sienna and Burnt Umber mixed into the 3 mixture. Step 7 COLOR MIXING THE VAN WYK WAY 52 Step 3 5. The reflected light in this case a lightened 4 mixture. The reflected light color depends on what is causing the reflection. This procedure is a basic one to paint in the tones and colors of any .
