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CorelDRAW X5 The Official Guide part 70. Learn to create outstanding fine art and eye-catching commercial graphics with one powerful tool! CorelDRAW X5: The Official Guide is your comprehensive reference and workbook to get you started designing visually captivating CorelDRAW artwork. Learn, step by step, how to create the illustrations you've imagined, quickly assemble layouts for print and package designs, import and edit photos, master the art of typography and the science of color theory, make 3D scenes from 2D objects, and apply special effects to ordinary pictures. Packed with expert techniques and advice for creating professional-quality art, this. | 654 CorelDRAW X5 The Official Guide Fill Color If you want to wow your audience definitely play with Fill Color to create significant changes along the steps of a contour. If an object doesn t have a fill although you can set a contour color the contour will not have a fill. This creates an interesting effect if you have outline width and colors applied to the base object but with no fill and no outline set for the base object to which you want to apply a contour it s an exercise in artistic futility. To set the fill color click the Fill Color selector and choose a color. NOTE Although base objects cannot have a transparency effect in place when you use the Contour tool you can do some interesting things if you first create a contour break it apart CTRL K and then apply the transparency effect to the group of objects that used to be a dynamically editable contour. Try using Uniform transparency at about 90 in Xor mode on a group of 10 to 20 objects. Without a lot of preplanning you can easily generate a color palette simply by experimenting. TIP Creating Special Effects with Contours Because contour intermediate steps travel concentrically from the control object to the end of the effect you can accomplish certain things that would take hours or perhaps not be possible using other tools and effects. For example a blend effect is simply the wrong tool choice when you want interior shading in an object because when you scale an irregularly shaped object such as the letter Q it scales disproportionately. As a result when you blend say a Q to a smaller Q you ve centered inside the larger Q the intermediate blend objects scale different areas disproportionately. Therefore a key to creating smoothly shaded objects is to use a contour effect with many steps and a small Contour Offset value. Here s an example recipe with the Artistic text tool type the letter Q uppercase choose a bold font such as Futura use black as the Fill Color and make it about 200 points in height. .
