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It is hard to know how to begin to give thanks when thanks are due so many. I have been fortunate to study with Joanna Williams, a model of erudi- tion, kindness, and patience. She took the risk of accepting a graduate student who knew next to nothing about art history or Southeast Asia, and has con- tinued to encourage and support me over the years. I would like to thank my teachers and academic advisers at Berkeley, including Amin Sweeney, Lewis Lancaster, Patricia Berger, Jefrey Hadler, and Ninik Lunde. I also appreciate the thoughts and comments of Nancy Tingley, Robert L
