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It has been transformed from the anatomical match into a burnt match. If you had to draw a burnt match you wouldn't say to yourself, "Okay, this is the anatomy of a match." No, you would say, "This is a match whose anatomy has been burnt and twisted into an agonizing shape. A shape that if I imagine myself being in that state—if I feel what has happened to that match has happened also to me—then this is the feeling that I have to draw, to portray." We must be emotional about our subject whether it has to do with. | FIRST 4.0 FLEXOGRAPHICiMAGEREPRODUCTION SPECIFICATIONS TOLERANCES Design Guide FLEXOGRAPHIC TECHNICAL ASSOCIATION FIRST 4.0 SUPPLEMENTAL FLEXOGRAPHIC PRINTING DESIGN GUIDE 1.0 Design Introduction 1 5.0 File Formats and Usage 30 1.1 Overview 2 5.1 Specified Formats 30 1.2 Responsibility 2 5.2 Portable Document Format PDF 30 1.3 Assumptions 3 5.3 Clip Art 31 2.0 Getting Started 4 5.4 Creating and Identifying FPO Continuous Tone Images 31 5.5 Special Effects Image Substitution - Automatic Image Replacement 31 2.1 Recognizing Attributes of the Flexographic Process 4 5.6 32 2.2 Materials and Information Needed to Begin 5 5.7 File Transfer Recommendations 32 2.2.1 Template Layout Die-Cut Specifications 5 5.8 Program Applications 32 2.3 File Naming Conventions 6 Preflight of Final Design Prior to Release 6 6.0 33 2.4 Types of Proofs 8 6.1 Documenting the Design 33 2.5 Process Control Test Elements 9 6.2 Release to Prepress 34 3.0 Type and Design Elements 9 3.1 Typography Know the Print Process Capabilities 9 3.1.1 Registra tion Tolerance 12 3.1.2 Process Color Type 13 3.1.3 Process Rev erse Knockout 13 3.1.4 Line Reverse Knockout 13 3.1.5 Drop Shadow 13 3.1.6 Spaces and Tabs 14 3.1.7 Text Wrap 14 3.1.8 Fonts 14 3.2 Custom and Special Colors 16 3.3 Bar Code Design Considerations 17 3.3.1 Bar Code Specifications 18 3.3.2 Designer Responsibilities 18 3.3.3 USPS Intelligent Mail Bar Code 22 3.4 Screen Ruling 22 3.5 Tints 23 3.6 Ink Colors 24 4.0 Document Structure 25 4.1 Naming Conventions 26 4.2 Document Size 26 4.3 Working in Layers 26 4.4 Auto-Traced Revectorized Art 26 4.5 Blends Vignettes Gradations 27 4.6 Imported Images - Follow the Links 28 4.7 Electronic Whiteout 29 4.8 Image Capture Quality - Scanning Considerations 29 4.9 Scaling Resizing 30 4.10 Color Space 30 FLEXOGRAPHIC IMAGE REPRODUCTION SPECIFICATIONS TOLERANCES 1 1.0 DESIGN INTRODUCTION 1.1 Overview FIRST 4.0 is created to facilitate communication among all participants involved in the design preparation and