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Cơ chế này bỏ phiếu không nên trừng phạt việc thực hiện Chương trình tổng thể. Để giảm các chi phí do chờ đợi lâu dài cho một gói tin trả lời rằng sẽ không bao giờ đến vì một thất bại kênh, một thời gian chờ cơ chế thích nghi được sử dụng. | Exploring the Ragged Edge Tilt rag I II a paragraph might range from deep to shallow and active to subtle but its uniformity and consistency from the lop of a paragraph down to the bottom are what make it desirable. The ragged line endings are Considered optimal if they create an organic unforced ripple down the edge of the paragraph without pronounced indents or bulges. In an optimally ragged paragraph the rag becomes invisible the reader is never aware that the lines arc ending at their natural conclusion if the alternating lines end short and very long the rag becomes active and calls attention to itself distracting the reader from following the content of the text. That said a deep rag is acceptable if it remains consistent throughout the text. A designer might opt to mitigate a deep rag by introducing more interline space. what is never desirable however is a rag that begins at the outset of a paragraph guided by one kind of logic but transforms into another kind of logic as the paragraph progresses in depth a rag that shows excessive indenting from the right or sharp angular Inclusions of space created by lines that become sequentially shorter. The overall unity of a rag can be easily compromised by the single occurrence of two short lines that create a boxy hole In an optimal rag the depth hovers between one-fifth and one-seventh of the para graph s width Word order and word breaks across lines also affect the rag. Problems in ragged-right setting commonly arise when a series of short words-of at it to we us-are broken to align at the left edge creating a vertical river funning parallel to the aligned edge and when short Words appear at the end of a long line between two shorter lines appearing to break off and float. In such cases the designer must weigh the consequences of re-breaking the lines to prevent these problems against their effect on the rag as a whole. Similarly the breaking of words across lines by using a hyphen can also be problematic if .