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Washes The most basic watercolor technique is the flat wash. It is produced by first wetting the area of paper to be covered by the wash, then mixing sufficient pigment to easily fill the entire area. The pigment is applied to a sloping surface in slightly overlapping horizontal bands from the top down. Once complete the wash should be left to dry and even itself out don't be tempted to work back into a drying wash, the results are usually disastrous! A variation on the basic wash is the graded wash. This technique requires the pigment to be diluted. | Watercolor Technique Washes The most basic watercolor technique is the flat wash. It is produced by first wetting the area of paper to be covered by the wash then mixing sufficient pigment to easily fill the entire area. The pigment is applied to a sloping surface in slightly overlapping horizontal bands from the top down. Once complete Graded wash through the sky the wash should be left to dry and even itself out -don t be tempted to work back into a drying wash the results are usually disastrous A variation on the basic wash is the graded wash. This technique requires the pigment to be diluted slightly with more water for each horizontal stroke. The result is a wash that fades out gradually and evenly Glazing Glazing is a similar watercolor technique to a wash but uses a thin transparent pigment applied over dry F existing washes. Its purpose is to adjust the color and tone of the underlying wash. Non staining A cool Gray glaze hrmsparern pigmente such as Rose Madder or pushes back the end of Permanent Rose Cobalt Blue and Auroline are ideal the buildings for glazing as they can be applied layer after layer to achieve the desired effect. Be sure each layer is thoroughly dry before applying the next. Wet in Wet Wet in wet is simply the process of applying pigment to wet paper. The results vary from soft undefined shapes to slightly blurred marks depending on how wet the paper is. The wet in wet technique can be applied over existing washes provided the are thoroughly dry. Simply wet the paper with a large brush and paint into the dampness. The soft marks made by painting wet in wet are great for subtle background regions of your painting. Dry Brush Dry brush is the almost the opposite watercolor technique to wet in wet. Here a brush loaded with pigment and not too much water is dragged over completely dry paper. The marks produced by this technique are very crisp and hard edged. They will tend to come forward in your painting and so are Wet in wet push the bushes
