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This classic study of perspective is an absolute must for any serious students of design, benefiting amateurs and professionals alike. Dozens of examples are illustrated, including parallel, angular, and oblique perspectives, as well as ascending and descending planes. Other images show how to create a “cone of rays,” and add depth and realism to curved objects. The techniques can be used for laying out a garden, predicting the shadow effects of a tall building, and accurately capturing the interplay of angles, light, and shadow. | PERSPECTIVE A GUIDE FOR ARTISTS. ARCHITECTS AND DESIGNERS GWEN WHITE PERSPECTIVE A Guide for Artists Architects and Designers GWEN WHITE Gwen White 1968 and 1982 First published 1968 Second impression 1969 Third impression 1974 Fourth impresston 1976 New edition 1982 Second impression 1987 Third impression 1989 ISBN 0 7134 3412 0 Written and illustrated by the same author Ancient and Modern Dolls Toys Adventures at the Zoo Ladybird. Ladybird A Book of Toys Eight Little Frogs A Book of Dolls A Book of Pictorial Respective A World of Pattern Dolls of the World European and American Dolls Antique Toys and their Background Toys. Dolls and Automata. Marks and Labels FOREWORD The most difficult part about Perspective is putting into words what one has drawn with a pencil. Perhaps my explanations appear long but they arc easily understood if you follow each diagram while reading them. The spectator is you. and when the Spectator appears on a diagram. I am behind him for the front views and at the side for the side views. Picture everything in the third-dimension and never join this point to that point or this line to that line. But take a point back or bring a line forward as the case may be in fact you will find that the word join has not been used. This book is intended for the serious student and here may be found the knowledge which lay behind my book on Pictorial Perspective . This has been described as whetting the appetite and a lively introduction to the subject . Again I have used my lift-up idea on many of the pages because naturally I could not eliminate the lines which lead to the finished drawing. Blocks can turn into machines or fairy castles rooms can be furnished in any period unbuilt houses visualized as finished and bare plots transformed into exotic gardens. High buildings casting shadows over their lower neighbours should interest all would-be town planners and the placing of objects to their best advantage makes a drawing superior to a photograph. It
