TAILIEUCHUNG - Cinema and Soviet Society from the Revolution to the Death of Stalin

With all this new equipment, an additional rack per site is required for your digital equipment. Make sure that you have enough space for it. This 19’’ rack, which should be as tall as possible, serves to take up the central library, the different Ethernet switches*1 or any other equipment required for your digital installation. A ventilated rack is suitable in any case. Install it in such a way so that its interior can easily be accessed to simplify any work on the cabling and connections. This rack does not necessarily have to. | Published and Forthcoming in KINO The Russian Cinema Series Series Editor Richard Taylor Film Propaganda Soviet Russia and Nazi Germany second revised edition Richard Taylor Forward Soviet History and Non-fiction Film in the USSR Graham Roberts Real Images Soviet Cinema and the Thaw Josephine Woll Cinema and Soviet Society from the Revolution to the Death of Stalin Peter Kenez Vsevolod Pudovkin Classic Films of the Soviet Avant-Garde Amy Sargeant Savage Junctures Images and Ideas in Eisenstein s Films Anne Nesbet KINOfiles film companions The Battleship Potemkin Richard Taylor Bed and Sofa Julian Graffy Burnt by the Sun Birgit Beumers The Cranes are Flying Josephine Woll Ivan the Terrible Joan Neuberger Little Vera Frank Beardow The Man with the Movie Camera Graham Roberts Mirror Natasha Synessios Repentance Josephine Woll and Denise Youngblood The Sacrifice Christine Akesson Cinema and Soviet Society from the Revolution to the Death of Stalin Peter Kenez cfriinario Multidíscíplỉnaríc J o 6 G r fh í I í o 5 o nI z á I c z n d c u 11 a d de Llumantdadcs UFR-Rf Publishers LONDON NEW YORK Introduction This book is about film made in a country that described itself as revolutionary and it is about propaganda. Most of us love movies especially revolutionary movies and we like to find evidence of manipulation of opinion for that gives US a sense of superiority unlike the victims of propaganda we can see through falsehood. I do not want to disappoint. Although this book is a history of Soviet film from 1917 to 1953 it is written from a particular point of view. I do not hope to contribute to our understanding of the great Soviet directors art in any case there are already many fine books on the works of Eisenstein Kuleshov Pudovkin Dovzhenko and Vertov. The films I will discuss in detail are not necessarily the finest the best known or even the most popular. For example I will say only a few sentences about The Battleship Potemkin the best known Soviet film of .

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