TAILIEUCHUNG - Adaptive Narrative: How Autonomous Agents, Hollywood, and Multiprocessing Operating Systems Can Live Happily Ever After

The effect of movies on the appearance of children as witnesses in German courts is particularly noticeable. Children, juveniles, and adults were asked by Petra Wolf what they knew about courts. The source of information they most often mentioned was movies, especially American crime movies and courtroom dramas. A group of psychologists from Kiel who published a book for the preparation of children as witnesses found out that, even after seeing pictures of a German courtroom, children still believed that the judge would have a gavel or at least wear a wig. 3 In the new edition, the authors explain to children that there will be no gavel or wig, both. | Adaptive Narrative How Autonomous Agents Hollywood and Multiprocessing Operating Systems Can Live Happily Ever After Jay Douglas and Jonathan Gratch University of Southern California Institute for Creative Technologies Marina del Rey California 90292 jdouglas gratch @ Abstract. Creating dramatic narratives for real-time virtual reality environments is complicated by the lack of temporal distance between the occurrence of an event and its telling in the narrative. This paper describes the application of a multiprocessing operating system architecture to the creation of adaptive narratives narratives that use autonomous actors or agents to create real-time dramatic experiences for human interactors. We also introduce the notion of dramatic acts and dramatic functions and indicate their use in constructing this real-time drama. 1 Introduction EXT - BOSNIAN VILLAGE STREET - DAY A young lieutenant is on his way to a rendezvous with the rest of his platoon near the village square. His RADIO crackles out an assignment. RADIO VOICE We need you here at the armory as soon as possible. But the lieutenant still a few kilometers away is preoccupied. We SEE a traffic accident involving one of the lieutenant s humvees and two local CIVILIANS. One a YOUNG BOY is seriously injured and hovering near death. The second his MOTHER is unharmed but in shock and hysterical. A menacing CROWD gathers. A CAMERAMAN for an international cable channel materializes shooting tape for the evening news. This isn t a snippet of a Hollywood movie script. It s part of an interactive story based on real-life experiences of troops assigned to peace-keeping missions in the former Yugoslavia. In this tale a lieutenant faces several critical decisions. The O. Balet G. Subsol and P. Torguet Eds. ICVS 2001 LNCS 2197 pp. 100-109 2001. Springer-Verlag Berlin Heidelberg 2001 Adaptive Narrative 101 platoon at the armory is reporting an increasingly hostile crowd and requests immediate aid. The boy .

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