TAILIEUCHUNG - Introduction/Conclusion: Are We Still Being Historical? Exposing the Ehenheim Epitaph Using History and Theory

The Spheres of the 1960s were all characterized by an imagery of pure form sundered, violated, and partially eaten away by internal erosion. Beneath the flawlessly polished or natural skins of the exterior surfaces, multiple motifs of recessed and repeated dentils, ribs, and hatching became for the artist “an expression of an interior movement.” While an artist in residence at Stanford University, Pomodoro evolved the first of his new spheres, the Rotani or Rotors, of which the Putnam Memorial Collection has one of the earliest examples. The distinction between the Spheres and the Rotors lies simply in the stability of one and the potential mobility of the other. Thus, Princeton’s. | Introduction Conclusion Are We Still Being Historical Exposing the Ehenheim Epitaph Using History and Theory Corine Schleif Preface and Acknowledgments The volume had its beginnings in 2004 when sessions on Madeline Caviness s theoretical model were proposed to the International Center for Medieval Art for sponsorship at the International Congress on Medieval Studies in Kalamazoo. Accepted for 2006 the sessions were honored with the distinction of commemorating the fiftieth anniversary of the International Center for Medieval Art. In addition to issuing the open call for papers we invited individual scholars from as far away as Europe and Japan. Due to the overwhelming response what began as a double session was expanded to five sessions. I would like to thank many who made these sessions possible Alyce Jordan co-organizer of the sessions and the chair of the ICMA program committee Annemarie Weyl Carr and Mary Shepard past presidents of the ICMA Elizabeth Teviotdale Associate Director of the Medieval Institute at Western Michigan University and the presiders Evelyn Lane Elizabeth Pastan Virginia Chieffo Raguin Ellen Shortell and Anne Rudloff Stanton. Not all the papers delivered are re-presented in the following volume. Many participants had otherwise committed their work or planned for its publication Anna Bucheler Bilder im Auftrag Gottes Zur Konzeption des Wiesbadener Scivias der Hildegard von Bingen MA Thesis Eberhard-Karls-Universitat Tubingen 2003 Kathleen Nolan Queens in Stone and Silver The Creation of a Visual Imagery of Queenship in Capetian France New York Palgrave Macmillan announced for 2009 Pamela Sheingorn Subjection and Reception in Claude of France s Book of First Prayers in Four Modes of Seeing. Approaches to Medieval Images in the Honor of Madeline Caviness edited by Evelyn Different Visions A Journal of New Perspectives on Medieval Art ISSN 1935-5009 Issue 1 September 2008 1 Schleif - Introduction or Conclusion Are We Still Being Historical .

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